ANTONY AND CLEOPATRA - Contextual Question 2


Write an essay on the following extracts saying, briefly, what importance it has in the development and structure of the plot, and commenting on such matters as:

·         The revelation of character

·         The use of language

·         Verse and stage action

·         The bringing out of themes.

Relate your answer, as appropriate, to other parts of the play.

 

ANTONY.     

….Come on, my queen,

There’s sap in’t yet. The next time I do fight

I’ll make death love me; for I will contend

Even with his pestilent scythe. [Exit all but Enobarbus.]

5-ENOBARBUS. Now he’ll outstare the lightning.

To be furious Is to be frighted out of fear, and in that mood

The dove will peck the estridge; and I see still

A diminution in our captain’s brain

Restores his heart. When valour preys on reason,

10-It eats the sword it fights with. I will seek

Some way to leave him. [Exit.]

 

[Caesar’s camp before Alexandria.  Enter CAESAR, AGRIPPA, and MAECENAS, with his Army; Caesar, reading a letter.]

CAESAR. He calls me boy, and chides as he had power

To beat me out of Egypt. My messenger

He hath whipt with rods; dares me to personal combat,

15-CAESAR TO ANTONY. Let the old ruffian know

I have many other ways to die, meantime

Laugh at his challenge.

MAECENAS.  Caesar must think,

When one so great begins to rage, he’s hunted

20-Even to falling. Give him no breath, but now Make boot of his distraction. Never anger Made good guard for itself.

CAESAR.  Let our best heads

Know that to-morrow the last of many battles

25-We mean to fight. Within our files there are

Of those that serv’d Mark Antony but late

Enough to fetch him in. See it done;

And feast the army; we have store to do’t,

And they have earn’d the waste. Poor Antony!

[Alexandria. Cleopatra ’s palace.  Enter ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS, ALEXAS, with others.]

ANTONY. He will not fight with me, Domitius?

ENOBARBUS.  No.

ANTONY. Why should he not?

ENOBARBUS. He thinks, being twenty times of better fortune

He is twenty men to one.

35-ANTONY.  To-morrow, soldier,

By sea and land I’ll fight. Or I will live,

Or bathe my dying honour in the blood

Shall make it live again. Woo’t thou fight well?

ENOBARBUS. I’ll strike, and cry ‘Take all.’

40-ANTONY. Well said; come on.

Call forth my household servants; let’s to-night

Be bounteous at our meal. [Enter three or four Servitors.]

Give me thy hand

Thou hast been rightly honest. So hast thou;

Thou, and thou, and thou. You have serv’d me well,

And kings have been your fellows.

CLEOPATRA. [Aside to Enobarbus] What means this?

ENOBARBUS. [Aside to Cleopatra]

‘Tis one of those odd tricks which sorrow shoots

50-Out of the mind.

ANTONY. And thou art honest too.

I wish I could be made so many men,

And ll of you clapp’d up together in

An Antony, that I might do you service

So good as you have done.

SERVITORS.  The gods forbid!

ANTONY. Well, my good fellows, wait on me to-night.

Scant not my cups, and make as much of me

As when mine empire was your fellow too,

And suffer’d my command.

CLEOPATRA. [Aside to Enobarbus] What does he mean?

ENOBARBUS. [Aside to Cleopatra] To make his followers weep.

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